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Man, it is snowing like a mofo here, a perfectly horizontal march of particulate white blowing past outside the window on gusts that sound like they’re taking the roof off. A fine day to blog. And since my review of Thomas McGuane’s new novel Driving on the Rim just came out in the Missoula Independent (bless them for keeping me in occasional bylines during this terminal book-writing endeavor), figured I’d plaster that up here.

Here’s a sample:

It may be hard to remember now, but Tom McGuane used to be a literary rock star. His prose “pyrotechnics” (the word appears in almost every review) in early works—The Sporting Club (1969), The Bushwacked Piano (1971) and Ninety-Two in the Shade (1973)—put him in critical company with the likes of Thomas Pynchon (whose Gravity’s Rainbow topped Ninety-Two for the 1974 National Book Award). He courted actresses, wrote coke-fueled screenplays and crashed a Porsche in Texas on his way to earning the doubtless now embarrassing nickname Captain Berserko.

Since those early salad days, it’s become reviewer’s sport, especially in The New York Times, to chide McGuane for not living up to early expectations, wrist-slapping his over-reliance on “quirky” scenarios, quoting easy-to-find examples of McGuane’s acknowledged sentence-level mastery and sending him off with a condescending pat on the rump and instructions to try harder next time.

Part of this is surely because McGuane planted himself in Montana in the late 1960s and started training horses and setting his books in flyover country. But a larger part is that McGuane is a writer of not easily reconciled impulses. His two exceptional modes are almost-slapstick absurdity and lush depiction of landscape. He’s a comic novelist with a penchant for corseted Victorian diction and a jones for rural vistas and the creatures of field and stream. It’s not a combo critics look West for, and it can be jarring even to readers without geographical bias.

You can read the whole thing here.

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One of my fondest river-tripping memories is from the Buffalo River in northwest Arkansas, late 2001 I think. I was paddling a canoe and two dogs down a three-night jaunt, and one morning I found myself rounding a bend where a road dead-ended into an overlook. There was a car there, and a couple standing on the bank of a bluff a bit above me. They seemed excited to see someone on the river and the woman asked me where I was going. When I named the spot where I planned to take out a few days later, she pointed downstream and told me my destination was thataway.

Well no shit.

Which raises the question of why a river tripper would need a river map. You’re going thataway—thataway being downstream—until you get there. Otherwise, you’re working way too hard. And going the wrong way.

True enough, as far as it goes, and most of my river-running has been map-free, with the occasional exceptions of guidebooks identifying access points.

Salmon River, Idaho, October 2010.

But 80-mile wilderness whitewater trips on permitted and camping-limited rivers are different. It can be good to know when it’s starting to get dark that the tent-friendly sandbar next to the creek on river right is the last such opportunity for eight miles. It can be good to know which beachable slackwater is just a short hike from the Indian pictographs. Or the hot springs. And it can be good to know whether the next rapid is a read-and-run Class II or something hairier that you’d really rather pull out and scout.

So when I got a chance to glom on to a late-October run down the Salmon River in Idaho a few weeks ago, I bit the bullet and dropped $23.95 for this map covering the Middle Fork and main-stem Salmon. It’s produced by an outfit called RiverMaps out of Buda, Texas (which produces a whole series of western-state whitewater river maps) and it’s brilliant. For one thing, the maps are oriented such that when you strap it onto the cooler in front of you, both the right-side map and the left-side points-of-interest progress toward the top of the page, downstream, where you’re headed. I don’t know why all river maps aren’t made this way, but they’re not.

The coup de grace is that it’s waterproof. Mine got soaked, sloshed and sandblasted (and frozen into a hard roll when I left it on the porch the cold-ass night I got back), but with a defrost and a few swipes from a rag, it’s good as new.

Which is sweet, because I sure as hell hope to get a chance to use it again. This was my second trip on the so-called River of No Return, and I don’t expect to get tired of it anytime soon.

I’ve got some TRIP PICTURES ON FLICKR if you care to take a look.

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Today the Missoula Independent published my review of Ivan Doig’s new Butte-based novel Work Song. You can READ THAT HERE, or not, but the most interesting things about Work Song was that it took me back to that other novel based in Butte: Dashiell Hammett’s first book, 1929’s Red Harvest. Here’s an excerpt from the review:

Butte’s literature is usually cast as nonfiction. From newspaperman Richard K. O’Malley’s memoir Mile High Mile Deep to C.B. Glasscock’s The War of the Copper Kings, Butte’s singular history as the motherlode of American copper production has placed it center stage for the true dramas of immigration, speculation, industrialization and labor relations, with all the real-life poetry that a multiethnic parade of hard-drinking, riches-seeking, hardrock miners and battling billionaires would suggest.

Butte novels have been rarer. Probably the most famous is Dashiell Hammett’s Red Harvest, published in 1929, little more than a decade after Hammett had worked as a Pinkerton Agency detective in Butte (where, Hammett claimed, the Anaconda Mining Company offered him $5,000 to kill labor leader Frank Little, who soon after became the victim of an unsolved lynching). Work Song is the latest. The two make an instructive pairing.

Red Harvest is set in “Personville” (nicknamed “Poisonville,” and unmistakably modeled on Butte) circa 1920, a time of economic domination by the (here unnamed) Anaconda Company and labor unrest complicated by periodic intrusions of the radical Industrial Workers of the World. Work Song, set in an undisguised Butte of 1919, shows no compunction about vilifying the Anaconda Company by name, and its main character is suspected—wrongly, at first—of being an outside agitator.

That’s where the similarities end. Where Hammett used Butte for its atmosphere of grit and violence, Doig makes the city a character, and reduces its threat to shadows. Red Harvest is a mystery; Work Song is essentially a romance. Hammett’s story and prose are prototypically hard-boiled. You might call Doig’s poached, an early dinner at the Cracker Barrel to Red Harvest’s red-eyed breakfast at the M&M.

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I took this picture the other day driving near my new home, near Georgetown Lake, Montana. I’m posting it here as a teaser to tempt you to my new blog, called “Opportunity, Montana,” which is intended as a kind of hybrid documentary/diary about the next half year (at least) I’m going to spend out here researching and writing a book by the same name about a town of the same name. It’s more complicated than that, of course, and if you’re interested you can see how by checking it out.

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river rocks

Okay, this doesn’t have anything to do with books, but I’m going to post it anyway because I like it.

This is a little film thingie I made at the request of the Huron River Watershed Council in Ann Arbor, Michigan. They’re planning to run it as the outro end of their upcoming Miller Creek Film Festival, which is a community PSA-type thing they hold every March.

This is my first sustained experiment with iMovie. And I’d like to thank and apologize to the Texas band Toadies, whom I dig, dig, dig, for poaching their music, which is being appropriated here for completely non-commercial uses. TURN IT UP!

Also, since this has more to do with rivers than with books, I might as well take advantage of the occasion to cross-post to my new blog, WATERWORKS, which I’m just ramping up to aggregate river news. I’m not entirely sure why I’m doing that, but hope to figure that out along the way. One possible reason is so I can get more or less back to books in this space.

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through a looking glass

Tunnel, originally uploaded by bradtyer.

paddle-racine_lgWent out on Argo Pond today, the pond just downstream from Barton Pond, on the Huron River here through Ann Arbor. Argo is the one they’re talking about draining by removing Argo Dam. You see bumper stickers and yard signs saying “Save Argo Pond.” The pond is lousy with crew practice, and I gather crew teams and the people who love them are the primary opposition to taking the dam out. Why anyone would want to sit backwards in a rowboat and get yelled at I do not know, but to each his or her own.

I was there trying out a new paddle I bought for myself as an early birthday present. Actually I just bought it because I wanted it, but I do have a birthday coming up, so fair enough. It’s a narrow beavertail blade, a shape I’ve never paddled before, and it’s made of oiled black walnut. A company in Maine called Shaw & Tenney makes it. Lord it’s a lovely paddle. Everybody has at least nine paddles, right?

I was also trying out a new 10-20 mm wide-angle lens I bought myself because I’ve got a birthday coming up.

It seems I’m going to take a lot of pictures of these ponds. I’ll try to limit myself to the goodish ones.

Two from this trip are on flickr.

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texas river rearview

colorado

Before it gets too far behind me: my last column at the Texas Observer.

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I haven’t posted in while. I’ve been gearing up for a move from Austin to Ann Arbor. Now I’m in a Super 8 motel in Terre Haute, Indiana, reading the manual for my fancy new camera, which I’ve not a clue yet how to use. I expect to land in what everybody insists on referring to as A2 tomorrow evening.

Road to Ann Arbor - 4

This is the rig I seem to getting used to getting poured on at my granny’s house outside of Whitehouse,Texas.

 

Road to Ann Arbor - 2

This is one of the best pictures ever taken of Lady, age 13, owing nothing to the fancy new camera and everything to finally catching her with her slinky head up.

 

Road to Ann Arbor - 3

This is Pancho, also 13, wanting in. He pretty much always looks like this. I promise not to post any more pictures of dogs.

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back to books

TheresMoreThe Texas Observer‘s Summer Books issue, the last one of these I’ll have the pleasure of editing, has been on the stands for a few weeks now, so I thought I’d GO AHEAD AND PUT IT UP HERE.

(If you’re coming to this late and the above link takes you to a subsequent issue of the Observer, HIT THIS LINK INSTEAD to go straight to the archived Summer Books.

I didn’t write anything for this one except THE INTRO, but there’s lots of great stuff on the inside. Check it out.

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The end of the Blackfoot

The end of the Blackfoot

 

 

I’m in Missoula Montana at the moment, sitting on the front porch of my friends Al and Ginger’s house. It’s just as pleasant as could be. This is the 11.5th day of a 12-day trip, three quarters of that sick with an unseasonal head cold, one day deathly, the others just stuffy and fogged.

I’ve lost $120 over two nights playing poker and never once been in danger of winning. Goddamn I love it here.

I found and bought some sweet books but I don’t have the scanner with me so those will have to wait. I’m having two small boxes shipped back to me in Austin, so that I can pack them in a U-Haul and drive them to Ann Arbor in a month. Makes perfect sense to me.

There’ve been two river trips, a 2-night on the North Fork of the Flathead and a day raft on the Blackfoot. I got sick fast driving up to the North Fork and by the time we made camp on the river that night I thought I was going to die. My throat turned raw and my head clogged up and I got terrible heartburn and I threw up twice and I couldn’t sleep because the mucous kept trying to drown me and all things considered I think it was the worst night I have ever spent in a tent. I got zero rest and spent the next day in a small bad place floating through the middle of a very large best place.

The Blackfoot was as splendid and sunny an afternoon booze cruise as ever was launched.

MORE BLACKFOOT PICS ON MY FLICKR PAGE.

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