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The musical merits are better discussed over cigarettes and cough syrup, but arguing Van Zandt’s greatness isn’t Atkinson’s goal here. Neither is biography. Nor is I’ll Be Here in the Morning the place for the uninitiated to start. That would be 2004’s Be Here to Love Me: A Film About Townes Van Zandt, or Live at the Old Quarter. This book is a little more like a public wake.

Read the rest of my review of Brian Atkinson’s I’ll Be Here in the Morning: The Songwriting Legacy of Towns Van Zandt in the April issue of the Texas Observer.

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Just did a short piece for the Texas Observer on one of my favorite Houston books, the long-out-of-print Sig Byrd’s Houston, which in my humble opinion stands tall in the company of the best of mid-century newspaper columnizing anywhere in the country.

A short excerpt of the short review:

The persons, places, and incidents in this book are real persons, places and incidents,” Byrd wrote in the book’s not-quite-boilerplate front matter. “Any resemblance between this book and a work of fiction is either coincidental or, what is more likely, is entirely in the reader’s imagination. He probably has been reading too many novels and has neglected to cultivate the acquaintance of his neighbors.”

Byrd wrote a column called “The Stroller” for the daily Houston Press in the 1950s, and later for the Houston Chronicle. These stories were adapted from the columns. Byrd did not neglect to cultivate the acquaintance of his neighbors. He found them gassed up on Milam Street’s Catfish Reef and cutting vinyl sides in the Bloody Fifth Ward, shoeing horses on Vinegar Hill, and fishing for gar in the East End’s “bilge-green bayou.” Fun-gals and law-hawks; ex-boxers and lady bouncers; pachucos, pastors, poets, and ragpickers with handles like Twitchy Tess, Deacon Neal the Gospel Man, Sam Petro the Tomato King, and Don Antonio of the Segundo Barrio—each wearing what Byrd called “the story face,” wherein he discerned “truth with the bark off.”

You can read the entire review here.

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